Great post. One of my first trades was for 9/12/99 (or maybe 9/11/99, can’t remember). It was a struggle to love those 99 AUDs. Some other ideas: maybe something changed in general live sound done in this period? Maybe the tape section changed locations or the sound team changed? I don’t put it on the tapers either, it’s an era that got recorded boomy and difficult to listen to.
Yeh these '99's aren't relistened to me often- unless I was there or specific songs. BTW, this was the first time in my life I can remember just walking away from having somewhere to sleep. I had gone down to Atlanta with friends from home just up in Chattanooga. But after seeing the incredible lot scene I couldn't just go home. I walked back into the fray, saw a dude with peyote wrapped around his fingers for sale. first time i'd heard that being hawked- didn't try it- and more wheeling and dealing than i ever had...it had never felt more like being in a city named Phish. I met a women I'd delivered a pizza to like 3 months earlier- she had Phish playing- and her party let me crash on their floor! TWENTY-ONE YEARS OLD IS THE BAG!!
Enjoyed this entry, Rob and revisiting this—in my opinion—very neglected tour.
Interesting take on the AUD quality. I do think the catches from the taper's section of Summer 98 are some of the best of any band ever so it's weird to see a dip.
Curious of what your setup is for critical listening? I start on ReListen and then download the source in lossless for the best I can get and—perhaps needless to say—the difference between the stream and having the files stored locally running through my system is galactic.
Hey Jeff, good to hear from you! Please don't think of less of me when I say that, yeah, I'm mostly streaming on ReListen. I have to do a lot of research on the go or at work, and slinging FLACs just isn't an option. But even by those weak standards, it feels like a drop off from 98, and it's a tour/year where the SBDs always blow AUDs out of the water, imo.
Readers, check out Jeff's newsletter at https://ambientaudiophile.substack.com/, where I discover tons of great new music and read about high-end audio equipment I'll never own.
Makes sense seeing as how most people just stream AUDs. Get you a Pono and take those FLACs on the run! Ha. And there’s always time to get into hi-Fi. It’s the best time in history with so much affordable awesome gear. Perfect for heads!
Great post. One of my first trades was for 9/12/99 (or maybe 9/11/99, can’t remember). It was a struggle to love those 99 AUDs. Some other ideas: maybe something changed in general live sound done in this period? Maybe the tape section changed locations or the sound team changed? I don’t put it on the tapers either, it’s an era that got recorded boomy and difficult to listen to.
Yeh these '99's aren't relistened to me often- unless I was there or specific songs. BTW, this was the first time in my life I can remember just walking away from having somewhere to sleep. I had gone down to Atlanta with friends from home just up in Chattanooga. But after seeing the incredible lot scene I couldn't just go home. I walked back into the fray, saw a dude with peyote wrapped around his fingers for sale. first time i'd heard that being hawked- didn't try it- and more wheeling and dealing than i ever had...it had never felt more like being in a city named Phish. I met a women I'd delivered a pizza to like 3 months earlier- she had Phish playing- and her party let me crash on their floor! TWENTY-ONE YEARS OLD IS THE BAG!!
Enjoyed this entry, Rob and revisiting this—in my opinion—very neglected tour.
Interesting take on the AUD quality. I do think the catches from the taper's section of Summer 98 are some of the best of any band ever so it's weird to see a dip.
Curious of what your setup is for critical listening? I start on ReListen and then download the source in lossless for the best I can get and—perhaps needless to say—the difference between the stream and having the files stored locally running through my system is galactic.
Hey Jeff, good to hear from you! Please don't think of less of me when I say that, yeah, I'm mostly streaming on ReListen. I have to do a lot of research on the go or at work, and slinging FLACs just isn't an option. But even by those weak standards, it feels like a drop off from 98, and it's a tour/year where the SBDs always blow AUDs out of the water, imo.
Readers, check out Jeff's newsletter at https://ambientaudiophile.substack.com/, where I discover tons of great new music and read about high-end audio equipment I'll never own.
Makes sense seeing as how most people just stream AUDs. Get you a Pono and take those FLACs on the run! Ha. And there’s always time to get into hi-Fi. It’s the best time in history with so much affordable awesome gear. Perfect for heads!