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Rob Mitchum's avatar

Thank you both! And never fear, I couldn't possibly pass up the chance to do 1997.

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Jimmy's avatar

Hi Rob,

Much appreciate your microscopic approach to unpacking Phish 96 in all its actual and contextual glory! The plaudits are that much more meaningful when viewed through a hyper-critical lens. Thoroughly enjoy your sensibility in breathing new life to Phish shows a quarter-century down the road - a meticulous undertaking that highlights your word craft and big-picture assessment of one band's ripple effect in the universe.

Thank you thank you thank you for all of the time and energy poured into this project and for creating a literary companion to the sonic adventures of Vermont's Phinest. Happy 2022 and look forward to your 1997 analysis.

Cheers,

Jimmy Rogers

Twitter: @UMfacts & @umWOWshow

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hiddendoor's avatar

just wanted to double down on what Jimmy said. I really appreciate the work your doing and always look forward to reading the new posts. It's really informative and interesting to see how this band developed during these years of expansion and evolution. Please keep it up!

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Sean's avatar

Not sure I would consider the use of a gospel choir by white musicians "icky". Did you see Heart perform Stairway To Heaven at the Kennedy Center Honors for Led Zeppelin? The use of a gospel choir there added new depths of meaning to the song. Same with U2 and I Still Haven't Found What I'm Looking For.

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